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For a long time it was considered certain that the death of the gambist Carl Friedrich Abel in 1787 had, in a way, also buried the instrument. Thomas Fritzsch also shared the traditional conviction that as a gambist he was per se excluded from participating in the sound world of the 19th century.\r
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But then he came across several sources, including one in connection with Schumann, that point to the instrument's continued existence. Here he not only presents some works on a viola da gamba of the early 19th century, but also proves impressively that the aesthetics of the Romantic period and the characteristic sound of the instrument are by no means mutually exclusive.\r
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This recording contains works by Abel, Schumann, Mendelssohn and Liszt.

Carl Friedrich Abel: Concerto G-Dur A9:2

Hermann Gustav Jaeschke: Variationen Fur Viola Di Gamba Und Piano-Forte

Felix Mendelssohn Bartholdy:Romanze \u201eWartend Opus 9 Nr. 3 MWV K42

Felix Mendelssohn Bartholdy: Lieder Ohne Worte Opus 30 Nr. 3 MWV U104

Friedrich Heinrich Florian Guhr: [Thema Con] Variation

Robert Schumann: Abendlied Opus 85 Nr. 12

Franz Liszt: Consolation Nr. 4 Des-Dur

Johann Ludwig Willing: 9 Variations Oeuvre 17

Franz Xaver Chawatal:Introduction Et Variations Amusantes