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Anton\xedn Dvo?\xe1k's huge popularity in England was built largely on the success of his Stabat Mater, which he had conducted there in 1884 and 1885. It was well suited to the country's choral traditions and led eventually to a commission for a Requiem, which was premi\xe8red in Birmingham in 1891. Written in ten months during tours to Russia, England and Germany, its success was immediate. Sitting closer to the tradition of Cherubini than Verdi, its tone is compassionate and reflective, devoid of unnecessary drama, and movingly crafted with great sophistication.

Introitus: Requiem Aeternam - Kyrie

Offertorium: Domine Jesu Christe

Graduale: Requiem Aeternam

Offertorium: Hostias

Sequentia: Dies Irae

Sanctus

Sequentia: Tuba Mirum

Pie Jesu

Sequentia: Quid Sum Miser

Agnus Dei

Sequentia: Recordare, Jesu Pie

Sequentia: Confutatis Maledictis

Sequentia: Lacrimosa