Orch. Conservatorio Di Vicenza - ECCLESIATICAE CANTIONES [CD]
All items shipped within 3 working days of payment.
Please note that all our DVDs are Region 2.
Please note that not all audio CDs are shrink-wrapped fom the factory.
The highly regarded Ensemble di Musica Antica del Conservatorio di Vicenza and its musical director Piervito Malusa explore the sacred music of the 16th century Italian composer Ludovico Balbi. The disc features Balbi's Ecclesiasticae Cantiones, his first important collection of sacred polyphony. The organist is Stefano Lorenzetti.\r
\r
Ludovico Balbi was born in Venice in 1545. In 1565 he had the chance to study in Padua with one of the leading composers of the Venetian school Costanzo Porta, and it was Porta who helped him to find employment in the city. In his career Balbi published at least eleven collections of sacred works including the work recorded here, the Ecclesiasticae Cantiones. It was published in 1578 by the famous Venetian editor Angelo Gardano. The Ecclesiasticae Cantiones are twenty-one motets for four-voices based on the Mass proprium texts. On this recording it has been decided to fit each of the seven groups of three motets (one set for each holyday) around instrumental works by Giovanni Gabrieli, Claudio Merulo, Luigi Balbi, and Bastian Chilese.\r
\r
Personnel: Ensemble di Musica Antica del Conservatorio di Vicenza, Stefano Lorenzetti (organ), Piervito Malus\xe0 (conductor)
Dominica prima Adventus: Intonazione del I tono (Giovanni Gabrieli)
Universi qui te expectant
Ad te levavi animam meam
Dominus dabit benignitatem
Sonata XXI con tre violini (Giovanni Gabrieli)
Dominica secunda Adventus: Intonazione dell'XI tono (Giovanni Gabrieli)
Ex Sion species decoris eius
Deus tu convertens vivificabis nos
Ierusalem surge
Canzon Trigesimasesta (Claudio Merulo)
Dominica tertia Adventus: Intonazione del IX tono (Giovanni Gabrieli)
Qui sedes Domine super Cherubin
Benedixisti Domine terram tuam
Dicite pusillanimes
Canzone a 4 (Luigi Balbi)
Dominica quarta Adventus: Intonazione del II tono (Giovanni Gabrieli)
Prope est Dominus
Ave Maria gratia plena
Ecce virgo concipiet
Canzon prima, La Spiritata (Giovanni Gabrieli)
Dominica in Septuagesima: Intonazione del XII tono (Giovanni Gabrieli)
De profundis clamavi
Bonum est confiteri Domino
Illumina faciem tuam
Canzon Vigesimaseconda, a 5 (Bastian Chilese)
Dominica in Sexagesima: Intonazione dell'VIII tono (Giovanni Gabrieli)
Commovisti Domine terram
Perfice gressus meos
Introibo ad altare Dei
Canzon XII (Giovanni Gabrieli)
Dominica in Quinquagesima: Intonazione del II tono (Giovanni Gabrieli)
Iubilate Deo omnis terra
Intonazione del X tono (Giovanni Gabrieli
Benedictus es Domine
Manducaverunt et saturati sunt
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Orch. Conservatorio Di Vicenza - ECCLESIATICAE CANTIONES [CD]
Orch. Conservatorio Di Vicenza - ECCLESIATICAE CANTIONES [CD]
All items shipped within 3 working days of payment.
Please note that all our DVDs are Region 2.
Please note that not all audio CDs are shrink-wrapped fom the factory.
The highly regarded Ensemble di Musica Antica del Conservatorio di Vicenza and its musical director Piervito Malusa explore the sacred music of the 16th century Italian composer Ludovico Balbi. The disc features Balbi's Ecclesiasticae Cantiones, his first important collection of sacred polyphony. The organist is Stefano Lorenzetti.\r
\r
Ludovico Balbi was born in Venice in 1545. In 1565 he had the chance to study in Padua with one of the leading composers of the Venetian school Costanzo Porta, and it was Porta who helped him to find employment in the city. In his career Balbi published at least eleven collections of sacred works including the work recorded here, the Ecclesiasticae Cantiones. It was published in 1578 by the famous Venetian editor Angelo Gardano. The Ecclesiasticae Cantiones are twenty-one motets for four-voices based on the Mass proprium texts. On this recording it has been decided to fit each of the seven groups of three motets (one set for each holyday) around instrumental works by Giovanni Gabrieli, Claudio Merulo, Luigi Balbi, and Bastian Chilese.\r
\r
Personnel: Ensemble di Musica Antica del Conservatorio di Vicenza, Stefano Lorenzetti (organ), Piervito Malus\xe0 (conductor)
Dominica prima Adventus: Intonazione del I tono (Giovanni Gabrieli)
Universi qui te expectant
Ad te levavi animam meam
Dominus dabit benignitatem
Sonata XXI con tre violini (Giovanni Gabrieli)
Dominica secunda Adventus: Intonazione dell'XI tono (Giovanni Gabrieli)
Ex Sion species decoris eius
Deus tu convertens vivificabis nos
Ierusalem surge
Canzon Trigesimasesta (Claudio Merulo)
Dominica tertia Adventus: Intonazione del IX tono (Giovanni Gabrieli)
Qui sedes Domine super Cherubin
Benedixisti Domine terram tuam
Dicite pusillanimes
Canzone a 4 (Luigi Balbi)
Dominica quarta Adventus: Intonazione del II tono (Giovanni Gabrieli)
Prope est Dominus
Ave Maria gratia plena
Ecce virgo concipiet
Canzon prima, La Spiritata (Giovanni Gabrieli)
Dominica in Septuagesima: Intonazione del XII tono (Giovanni Gabrieli)
De profundis clamavi
Bonum est confiteri Domino
Illumina faciem tuam
Canzon Vigesimaseconda, a 5 (Bastian Chilese)
Dominica in Sexagesima: Intonazione dell'VIII tono (Giovanni Gabrieli)
Commovisti Domine terram
Perfice gressus meos
Introibo ad altare Dei
Canzon XII (Giovanni Gabrieli)
Dominica in Quinquagesima: Intonazione del II tono (Giovanni Gabrieli)
Iubilate Deo omnis terra
Intonazione del X tono (Giovanni Gabrieli
Benedictus es Domine
Manducaverunt et saturati sunt
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Description
All items shipped within 3 working days of payment.
Please note that all our DVDs are Region 2.
Please note that not all audio CDs are shrink-wrapped fom the factory.
The highly regarded Ensemble di Musica Antica del Conservatorio di Vicenza and its musical director Piervito Malusa explore the sacred music of the 16th century Italian composer Ludovico Balbi. The disc features Balbi's Ecclesiasticae Cantiones, his first important collection of sacred polyphony. The organist is Stefano Lorenzetti.\r
\r
Ludovico Balbi was born in Venice in 1545. In 1565 he had the chance to study in Padua with one of the leading composers of the Venetian school Costanzo Porta, and it was Porta who helped him to find employment in the city. In his career Balbi published at least eleven collections of sacred works including the work recorded here, the Ecclesiasticae Cantiones. It was published in 1578 by the famous Venetian editor Angelo Gardano. The Ecclesiasticae Cantiones are twenty-one motets for four-voices based on the Mass proprium texts. On this recording it has been decided to fit each of the seven groups of three motets (one set for each holyday) around instrumental works by Giovanni Gabrieli, Claudio Merulo, Luigi Balbi, and Bastian Chilese.\r
\r
Personnel: Ensemble di Musica Antica del Conservatorio di Vicenza, Stefano Lorenzetti (organ), Piervito Malus\xe0 (conductor)
Dominica prima Adventus: Intonazione del I tono (Giovanni Gabrieli)
Universi qui te expectant
Ad te levavi animam meam
Dominus dabit benignitatem
Sonata XXI con tre violini (Giovanni Gabrieli)
Dominica secunda Adventus: Intonazione dell'XI tono (Giovanni Gabrieli)
Ex Sion species decoris eius
Deus tu convertens vivificabis nos
Ierusalem surge
Canzon Trigesimasesta (Claudio Merulo)
Dominica tertia Adventus: Intonazione del IX tono (Giovanni Gabrieli)
Qui sedes Domine super Cherubin
Benedixisti Domine terram tuam
Dicite pusillanimes
Canzone a 4 (Luigi Balbi)
Dominica quarta Adventus: Intonazione del II tono (Giovanni Gabrieli)
Prope est Dominus
Ave Maria gratia plena
Ecce virgo concipiet
Canzon prima, La Spiritata (Giovanni Gabrieli)
Dominica in Septuagesima: Intonazione del XII tono (Giovanni Gabrieli)
De profundis clamavi
Bonum est confiteri Domino
Illumina faciem tuam
Canzon Vigesimaseconda, a 5 (Bastian Chilese)
Dominica in Sexagesima: Intonazione dell'VIII tono (Giovanni Gabrieli)
Commovisti Domine terram
Perfice gressus meos
Introibo ad altare Dei
Canzon XII (Giovanni Gabrieli)
Dominica in Quinquagesima: Intonazione del II tono (Giovanni Gabrieli)
Iubilate Deo omnis terra
Intonazione del X tono (Giovanni Gabrieli
Benedictus es Domine
Manducaverunt et saturati sunt












