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In 15th-century England a tradition grew up for the composition of polyphonic carols. None of them is ascribed to a specific composer or poet, neither is their function completely understood. The form is that of alternating verses and burdens (refrains), the language generally being a mixture of Latin and English. The majority of the carols have sacred texts and it is possible that these were designed for liturgical use. Others are moralistic or celebratory and were possibly used to enliven feasts and banquets in aristocratic households or for recreational purposes at educational establishments.

Ave Maria

What tidings bringest thou?

O Viridissima virga

Alma redemptoris mater

Deo gracias Anglia

Be merry be merry

Riu riu chiu

There is no rose

Planctus Guillelmus

Eya mater Stephane

Gaudete Chrustus est natus

Hail Mary full of Grace

Now may we Singen

Nowell sing we

Planctus David