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Although Szymanowski later dubbed his 'First Symphony' a \\contrapuntal-harmonic-orchestral monster and disavowed the influence of Wagner, Reger and Richard Strauss (also evident in the opulent 'Concert Overture'), it is an astonishingly powerful work by a composer only in his mid-20s and still enthralls a century after its premi?\xbfre. He described his 'Fourth Symphony' as 'nearly a concerto' owing to the piano's prominent role, its highly-charged Neo-baroque character inviting comparison with Stravinsky. ''

Concert Overture, Op. 12 - Warsaw Philharmonic Orchestra

Piano Concerto No. 1 in C Minor, Op. 35 - Warsaw Philharmonic Orchestra

Finale: Allegretto Con Moto Grazioso - Warsaw Philharmonic Orchestra

Moderato - Tempo Comodo - Jan Krzysztof Broja/Warsaw Philharmonic Orchestra

Andante Molto Sostenuto - Jan Krzysztof Broja/Warsaw Philharmonic Orchestra

Allegro Non Troppo, Ma Agitato Ed Ansioso - Jan Krzysztof Broja/Warsaw Philharmonic Orchestra

Study in B Flat Minor, Op. 4, No. 3 - Warsaw Philharmonic Orchestra