John Coltrane - Ascension (Edition I & II) [VINYL]
This item will be released on Friday 12th June. It will be shipped to arrive on or around the release date.
Ascension, released in 1966 on Impulse! Records, stands as one of John Coltraneās most radical and influential works. Subtitled āEdition I & IIā to reflect the two complete takes recorded at the sessionāand presented together on LP for the first timeāthe piece is a nearly 40-minute large-ensemble performance marking Coltraneās decisive embrace of the avant-garde. Recorded on June 28, 1965, at Rudy Van Gelderās Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ensemble of eleven musicians. Alongside Coltraneās tenor saxophone are trumpeters Freddie Hubbard and Dewey Johnson; saxophonists Pharoah Sanders, Marion Brown, John Tchicai, and Archie Shepp; pianist McCoy Tyner; bassists Art Davis and Jimmy Garrison; and drummer Elvin Jones. The music alternates between densely textured collective improvisation and extended solo statements, conjuring a hurricane of violent, searching sound. Initially controversial for its intensity and freedom, Ascension has since come to be recognized as a landmark of modern jazz and a defining statement of the emerging free-jazz movement. Presenting both takes together highlights the organic, ever-changing character of the performance and affirms its enduring place in Coltraneās artistic legacy.
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John Coltrane - Ascension (Edition I & II) [VINYL]
John Coltrane - Ascension (Edition I & II) [VINYL]
This item will be released on Friday 12th June. It will be shipped to arrive on or around the release date.
Ascension, released in 1966 on Impulse! Records, stands as one of John Coltraneās most radical and influential works. Subtitled āEdition I & IIā to reflect the two complete takes recorded at the sessionāand presented together on LP for the first timeāthe piece is a nearly 40-minute large-ensemble performance marking Coltraneās decisive embrace of the avant-garde. Recorded on June 28, 1965, at Rudy Van Gelderās Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ensemble of eleven musicians. Alongside Coltraneās tenor saxophone are trumpeters Freddie Hubbard and Dewey Johnson; saxophonists Pharoah Sanders, Marion Brown, John Tchicai, and Archie Shepp; pianist McCoy Tyner; bassists Art Davis and Jimmy Garrison; and drummer Elvin Jones. The music alternates between densely textured collective improvisation and extended solo statements, conjuring a hurricane of violent, searching sound. Initially controversial for its intensity and freedom, Ascension has since come to be recognized as a landmark of modern jazz and a defining statement of the emerging free-jazz movement. Presenting both takes together highlights the organic, ever-changing character of the performance and affirms its enduring place in Coltraneās artistic legacy.
Original: $65.35
-65%$65.35
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Description
This item will be released on Friday 12th June. It will be shipped to arrive on or around the release date.
Ascension, released in 1966 on Impulse! Records, stands as one of John Coltraneās most radical and influential works. Subtitled āEdition I & IIā to reflect the two complete takes recorded at the sessionāand presented together on LP for the first timeāthe piece is a nearly 40-minute large-ensemble performance marking Coltraneās decisive embrace of the avant-garde. Recorded on June 28, 1965, at Rudy Van Gelderās Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ensemble of eleven musicians. Alongside Coltraneās tenor saxophone are trumpeters Freddie Hubbard and Dewey Johnson; saxophonists Pharoah Sanders, Marion Brown, John Tchicai, and Archie Shepp; pianist McCoy Tyner; bassists Art Davis and Jimmy Garrison; and drummer Elvin Jones. The music alternates between densely textured collective improvisation and extended solo statements, conjuring a hurricane of violent, searching sound. Initially controversial for its intensity and freedom, Ascension has since come to be recognized as a landmark of modern jazz and a defining statement of the emerging free-jazz movement. Presenting both takes together highlights the organic, ever-changing character of the performance and affirms its enduring place in Coltraneās artistic legacy.















