VARIOUS - DIGGING YOUR SCENE [CD]
This item will be released on Friday 26th June. It will be shipped to arrive on or around the release date.
In 1982 a new jazz era was dawning and Soho, a hotbed since the 50s, was where the renaissance began. Blue Rondo A La Turk, who had the first âNew Jazzâ hit, were led by Chris Sullivan who opened The Wag Club in Wardour Street in April 1982, a vital catalyst for the âNew Jazzâ scene.Vic Godard, singer with Subway Sect, recast as a crooner, hosted his Club Left jazz-swing nights at the Wag (as well as at Londonâs jazz capital Ronnie Scottâs). Chief among the new acts were Weekend who morphed into Working Week, whose 1984 debut single âVenceremosâ felt like a clarion call. Everything But The Girl had embraced jazz influences on their debut single, a cover of Cole Porterâs âNight And Dayâ.Meanwhile, Mark Reilly left Blue Rondo to form Matt Bianco, a more overtly pop/jazz creation. Julien Templeâs Absolute Beginners film (including Eighth Wonder and The Style Council on its soundtrack) based on Colin MacInnesâ 1959 novel took jazz to a mainstream audience. When the film was released in 1986, jazz in its broadest sense was everywhere in British pop, from covers of jazz standards (Alison Moyet, Bronski Beat) to jazz pop hits from Swing Out Sister and The Blow Monkeys.
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VARIOUS - DIGGING YOUR SCENE [CD]
VARIOUS - DIGGING YOUR SCENE [CD]
This item will be released on Friday 26th June. It will be shipped to arrive on or around the release date.
In 1982 a new jazz era was dawning and Soho, a hotbed since the 50s, was where the renaissance began. Blue Rondo A La Turk, who had the first âNew Jazzâ hit, were led by Chris Sullivan who opened The Wag Club in Wardour Street in April 1982, a vital catalyst for the âNew Jazzâ scene.Vic Godard, singer with Subway Sect, recast as a crooner, hosted his Club Left jazz-swing nights at the Wag (as well as at Londonâs jazz capital Ronnie Scottâs). Chief among the new acts were Weekend who morphed into Working Week, whose 1984 debut single âVenceremosâ felt like a clarion call. Everything But The Girl had embraced jazz influences on their debut single, a cover of Cole Porterâs âNight And Dayâ.Meanwhile, Mark Reilly left Blue Rondo to form Matt Bianco, a more overtly pop/jazz creation. Julien Templeâs Absolute Beginners film (including Eighth Wonder and The Style Council on its soundtrack) based on Colin MacInnesâ 1959 novel took jazz to a mainstream audience. When the film was released in 1986, jazz in its broadest sense was everywhere in British pop, from covers of jazz standards (Alison Moyet, Bronski Beat) to jazz pop hits from Swing Out Sister and The Blow Monkeys.
Product Information
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Shipping & Returns
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Description
This item will be released on Friday 26th June. It will be shipped to arrive on or around the release date.
In 1982 a new jazz era was dawning and Soho, a hotbed since the 50s, was where the renaissance began. Blue Rondo A La Turk, who had the first âNew Jazzâ hit, were led by Chris Sullivan who opened The Wag Club in Wardour Street in April 1982, a vital catalyst for the âNew Jazzâ scene.Vic Godard, singer with Subway Sect, recast as a crooner, hosted his Club Left jazz-swing nights at the Wag (as well as at Londonâs jazz capital Ronnie Scottâs). Chief among the new acts were Weekend who morphed into Working Week, whose 1984 debut single âVenceremosâ felt like a clarion call. Everything But The Girl had embraced jazz influences on their debut single, a cover of Cole Porterâs âNight And Dayâ.Meanwhile, Mark Reilly left Blue Rondo to form Matt Bianco, a more overtly pop/jazz creation. Julien Templeâs Absolute Beginners film (including Eighth Wonder and The Style Council on its soundtrack) based on Colin MacInnesâ 1959 novel took jazz to a mainstream audience. When the film was released in 1986, jazz in its broadest sense was everywhere in British pop, from covers of jazz standards (Alison Moyet, Bronski Beat) to jazz pop hits from Swing Out Sister and The Blow Monkeys.















